This Composer Made Arpeggios Sound NEW
0:00 Matthew King plays the 2nd half of Erik Satie’s 4th Gnossienne0:50 Introduction with Loki. Satie, Bizet’s Carmen, popular styles
3:07 Satie, catalyst, innovator and eccentric.
4:12 Satie and Debussy. Parade and Picasso. Surrealism
5:20 1890s, improvisation & structure, Mozartian anacrusis, repetition.
7:12 Advice to composers; arpeggios, modes, Hungarian style, exoticism
9:15 Sorcery; infinite music; Vexations; 6 harmonic regions; the end.
11:59 Conclusion and appeal. Please consider donating.
12:54 Satie’s 4th Gnossienne with animated commentary.
Satie wrote down the singular and magical piece (now known as his 4th Gnossienne although in fact he never gave it this title) in 1891. It consists of cross-rhythmic arpeggios in the left hand, moving in parallel motion through six harmonic regions. The right hand plays little exotic fragments over the top. The effect is absolutely enchanting.
Matthew King discusses the piece in detail, explaining Satie’s immense influence on composers and cultural movements in the 20th century.
Erik Satie: Gnossienne 4
Pianist: Matthew King
Satie's first Gnossienne can be heard here: • When Erik Satie invented a new kind of mus...
Satie's second Gnossienne can be heard here: • The Saddest of Love Letters: Erik Satie's ...
Satie’s third Gnossienne can be heard here: • Gnossienne 3 - Satie Does it again
Satie’s Vexations can be heard here: https://youtu.be/vCeg1Rf-C9I?si=kVwsDqmJHWQhBON1
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Edited by Ian Coulter ( https://www.iancoultermusic.com )
Piano and discussion by Matthew King (www.matthewkingcomposer.com) Receive SMS online on sms24.me
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