How Beethoven Would Sound If He Was Bad
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0:00 Introduction, Erlkönnig and T-Shirts
1:17 Tropes transformed. Cadences
2:18 First set of cadences
3:39 Beethoven's first Symphony opening
5:34 Mendelssohn's Midsummer Night's Dream
6:51 Variation 1: elaborating the cadences
8:42 Beethoven's creative intelligence
9:33 Variation 2: adding appoggiaturas
11:42 Revealing Beethoven's music. C minor
13:21 Rhythmic energy & Bach
14:51 Tiny upbeat. Dissonance.
16:04 The third phrase. Magical new place.
17:15 New direction. Orchestral outbursts.
18:10 Dissonance that looks forward to Wagner
19:10 Inevitability, tragedy, silence, solo
20:10 Rising 6ths. Emotional connection.
In this video, Matthew King approaches the introduction of Beethoven's Pathetique Sonata Op. 13 by creating imaginary versions of less inspired material that move towards it. The purpose of the exercise is to demonstrate how genius transforms the standard tropes of style into music of immense power and expressive intensity.
The excerpt from Oxford Lieder's animated version of Schubert's Erlkönnig (Daniel Norman - Tenor, Sholto Kynoch - Piano and Jeremy Hamway-Bidgood - Director & designer) can be seen here: https://youtu.be/JS91p-vmSf0?si=SPCvoypI7gezUyBZ
The excerpt from the opening of Mendelssohn's Midsummer Night's Dream Overture came from a 2020 performance by the Frankfurt Radio Symphony Orchestra, conducted by Andrés Orozco-Estrada: https://youtu.be/1MrOHB8C0L8?si=jzPAFQj18NwFmsDd
#themusicprofessor #beethoven #pathetique
Pianist and Presenter: Matthew King (https://www.matthewkingcomposer.com)
Edited by Ian Coulter (https://www.iancoultermusic.com) Receive SMS online on sms24.me
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