غاليريتا | كيف غنّى الجزائريون في غربتهم؟
من مقاهي مرسيليا وباريس، حيث كان العمال الجزائريون يجتمعون بعد يوم طويل، إلى مسارح فرنسا وأغاني الراب اليوم، تركت الهجرة أثرها في الموسيقى الجزائرية، وغيّرت الأصوات والكلمات والجمهور.في هذه الحلقة من غاليريتا مع ريتا خان، نتتبع رحلة الأغنية الجزائرية عبر أجيال من المهاجرين، من سليمان عازم ودحمان الحراشي إلى الراي ورشيد طه والشاب خالد، وصولاً إلى سولكينغ. كيف تحوّلت الأغاني التي حملت حنين الجيل الأول إلى ذاكرة موسيقية لأبناء المهاجرين الذين كبروا في فرنسا؟
مصادر #غاليريتا:
Miliani, H. (2002). De la nostalgie du local aux mythologies de l’exil : chanteurs et chansons dans l’émigration algérienne en France, des années 1920 au début des années
https://www.histoire-immigration.fr/caracteristiques-migratoires-selon-les-pays-d-origine/l-immigration-algerienne-en-france
https://www.insaniyat.crasc.dz/fr/article/de-la-nostalgie-du-local-aux-mythologies-de-lexil-chanteurs-et-chansons-dans-lemigration-algerienne-en-france-des-annees-1920-au-debut-des-annees-80
https://www.histoire-immigration.fr/caracteristiques-migratoires-selon-les-pays-d-origine/l-immigration-algerienne-en-france/slimane
https://www.ima-tourcoing.fr/wp-content/uploads/2025/11/BasseDef-DOSSIER-PEDAGOGIQUE_YARAYI-1-1.pdf
https://www.lemonde.fr/archives/article/1994/10/01/algerie-cheb-hasni-le-champion-du-rai-sentimental_3853888_1819218.html
https://www.lemonde.fr/archives/article/1998/09/29/bercy-celebre-les-noces-de-la-musique-arabe-et-de-l-occident-technologique_3665545_1819218.html
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