The Man who CORRECTED Beethoven
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Watch this video about the first movement of Beethoven's 5th Symphony: https://youtu.be/zo5qagrQPJE?si=0YovNvz9BNAfwkUP
0:00 Introduction with Loki. Beethoven 5 is over-familiar.
1:16 How did Beethoven sound in the early 19th century? Berlioz and Fetis.
2:12 Beethoven, French Revolution, return of Monarchy & the Romantic Generation.
3:44 Berlioz Memoirs and the 1828 performances of Beethoven in Paris.
5:21 Habeneck's conducting, French opposition to Beethoven and Lesseuer.
6:41 Berlioz's account of Leseuer's response to Beethoven 5.
8:17 The radical impact of Beethoven's music. Matthew King plays transition to Finale
10:12 Leseuer revises his opinion. "Such music like that ought not to be written".
11:42 Encountering the sublime.
12:36 Fétis alters the clarinet line in Beethoven's 2nd movement.
14:35 Looking at Liszt's arrangement on the piano
16:57 Fétis's alteration and Beethoven's beautiful line
17:49 Berlioz's criticism of Fétis and the struggle between conservatism and Romanticism.
19:33 Liszt's arrangement of the Symphonie Fantastique & Schumann.
20:40 Concluding remarks. Beethoven 5 and the French Revolution
In this video, Matthew King considers how Beethoven's 5th symphony, once so revolutionary, has become over-familiar. He reads from the Memoirs of Hector Berlioz and discovers a fascinating account of the visceral impact of the first Parisian performances of Beethoven Symphonies at the Paris Conservatoire in 1828. The Memoirs also contain Berlioz's account of how he discovered that his professor, François-Joseph Fétis had altered a passage in the 2nd movement. In this video, Matthew King plays excerpts from transcriptions of Beethoven's 5th Symphony and Berlioz's Symphonie Fantasque by Franz Liszt.
Performances of Beethoven 5 in this video are by the CBSO, conducted by Mirga Gražinytė-Tyla at the Proms in 2017, and a performance by Orchestre Revolutionnaire et Romantique, conducted by John Eliot Gardiner in 2016. There is an excerpt of Beethoven 9, also with the Monteverdi Choir and Orchestra, conducted by John Eliot Gardiner in 2020 at the Palau de la Música Catalana, Barcelona. The excerpt from Berlioz's Symphonie Fantastique is from a performance at Versailles in 2019 with the ORR, conducted by John Eliot Gardiner, and there is an excerpt from the 1994 film 'Immortal Beloved' with Gary Oldman as Beethoven.
#themusicprofessor #beethoven5 #berlioz
Pianist and Presenter: Matthew King (https://www.matthewkingcomposer.com)
Edited by Ian Coulter (https://www.iancoultermusic.com) Receive SMS online on sms24.me
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